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HAIM STEINBACH | Identity, Culture, and Community: Stories from the Collection of the Jewish Museum and Pruzan Family Center for Learning | Group show | The Jewish Museum, New York, NY, USA

HAIM STEINBACH | Identity, Culture, and Community: Stories from the Collection of the Jewish Museum and Pruzan Family Center for Learning | Group show | The Jewish Museum, New York, NY, USA

Bringing together more than 200 works spanning centuries of artistic and cultural history, Identity, Culture, and Community explores the richness and diversity of Jewish experience through objects, ritual works, contemporary art, and historical artifacts drawn from the Jewish Museum’s collection. The exhibition creates a dialogue between past and present, weaving together themes of memory, belonging, migration, spirituality, and collective identity. Archaeological artifacts and ceremonial objects are presented alongside modern and contemporary painting, sculpture, photography, and installation, revealing how art can preserve traditions while continually redefining cultural narratives. Special focus galleries deepen this exploration through dedicated presentations examining film, community, colonial history, and contemporary artistic practices. The renewed learning spaces further extend the experience through educational displays and a monumental installation of more than 130 Hanukkah lamps from across different periods and geographies, highlighting the enduring significance of ritual, craftsmanship, and shared cultural heritage.

  • The Jewish Museum
  • 1109 5th Ave &, E 92nd St, New York, 10128
  • 24 ottobre 2025
LUCA MONTERASTELLI | Lo sventurato regno | Solo show  | spazio C.O.S.M.O.

LUCA MONTERASTELLI | Lo sventurato regno | Solo show  | spazio C.O.S.M.O.

Inspired by an imagined episode from the life of Bernard de Mandeville, this installation reflects on the fragile relationship between power, accident, and consequence. A minor domestic incident — a spilled cup of tea, an interrupted gesture, an expression fixed in a portrait — becomes the starting point for a meditation on chance and the invisible chain of events set in motion by every human action. At the center of the work is a scaled plaster interior: a vaulted room, an entrance, a half-open door, and a functioning chandelier illuminating the scene. Within this suspended and silent space stands a wax figure, motionless at the foot of a staircase, one hand extended in an ambiguous gesture of request or supplication. Balancing between theatricality and stillness, the installation evokes a world where collapse never fully arrives, yet absence and misfortune quietly persist. The domestic setting becomes a metaphorical architecture of power, uncertainty, and unresolved expectation. Viewing by appointment only.

  • Spazio C.O.S.M.O
  • Via Giovanni de Agostini, 25, 00176 Roma RM
  • 19 aprile – 30 giugno 2026
ANSELM KIEFER | Giovanni Segantini (1858-1899). I want to see my mountains | Musée Marmottan Monet, Paris, France

ANSELM KIEFER | Giovanni Segantini (1858-1899). I want to see my mountains | Musée Marmottan Monet, Paris, France

This exhibition offers a rare opportunity to rediscover the visionary world of Giovanni Segantini, one of the leading figures of European Symbolism and Divisionism. Bringing together paintings, pastels, and drawings from important international collections, the exhibition traces the artist’s profound relationship with nature and the mountain landscape that shaped his life and imagination. For Segantini, the mountains were far more than a subject: they became a spiritual and symbolic universe through which he explored light, solitude, motherhood, labor, and the cycle of life. Suspended between realism and symbolism, his works reveal a deeply emotional vision of nature, where luminous color and atmosphere transform the Alpine landscape into a timeless, almost mystical dimension. Through over sixty works, the exhibition follows the evolution of Segantini’s artistic language, from his early Italian years to the monumental Alpine compositions created in Switzerland. Rare drawings and pastels further highlight the artist’s sensitivity and his mastery of light, atmosphere, and form. Curated by Gabriella Belli and Diana Segantini.

  • Musée Marmottan
  • 2 Rue Louis Boilly, 75016 Paris, Francia
  • 29 aprile – 16 agosto 2026
VANESSA BEECROFT | ALFREDO JAAR | MARZIA MIGLIORA | GIAN MARIA TOSATTI | TOBIAS ZIELONY | GILBERTO ZORIO | The Golden Hour. L’oro nell'arte dal figurativo all’astratto | Group Show | Spazio Ersel, Italy

VANESSA BEECROFT | ALFREDO JAAR | MARZIA MIGLIORA | GIAN MARIA TOSATTI | TOBIAS ZIELONY | GILBERTO ZORIO | The Golden Hour. L’oro nell'arte dal figurativo all’astratto | Group Show | Spazio Ersel, Italy

"The Golden Hour. L’oro nell'arte dal figurativo all’astratto" explores the enduring fascination of gold in art through a selection of works spanning from the Renaissance to the present day. Symbol of light, eternity, spirituality, and transformation, gold has crossed centuries while constantly renewing its meaning and visual power. From sacred gold backgrounds to contemporary conceptual interpretations, the exhibition traces the evolution of gold as both material and metaphor: sometimes ornamental, sometimes inseparable from the form itself, always capable of transforming the surface it touches. Warm and luminous like the “golden hour” of dawn and dusk, gold becomes a language that connects ancient, modern, and contemporary artistic expressions through reflection, radiance, and seduction. Bringing together figurative and abstract works, the exhibition offers a journey through the many identities of gold — precious, symbolic, spiritual, and deeply evocative. Ersel Exhibition Space, Turin: 22.04.2026–22.05.2026Ersel Exhibition Space, Milan: 04.06.2026–10.07.2026

  • Spazio Ersel
  • 22 aprile – 10 luglio 2026

AGNIESZKA KURANT | Strange Rules  | Group show | Berggruen Arts & Culture and Berggruen Institute Europe | Palazzo Diedo, Venice, Italy Casa dei Tre Oci, Venice, Italy 

"STRANGE RULES", curated by Mat Dryhurst, Holly Herndon, Hans Ulrich Obrist, and Adriana Rispoli at Palazzo Diedo, explores the emerging field of “Protocol Art” through works by international artists including Philippe Parreno, Trevor Paglen, Avery Singer, Lynn Hershman Leeson, and Agnieszka Kurant. Bringing together art, technology, artificial intelligence, and digital infrastructures, the exhibition examines the invisible systems and protocols that shape contemporary culture and perception. Conceived as both an exhibition and a research platform, "STRANGE RULES" transforms Palazzo Diedo into a laboratory for performances, installations, screenings, and collaborative projects that investigate human-machine co-creation, algorithmic governance, and the shifting relationship between artistic authorship and technological systems.

  • Palazzo Diedo
  • Fondamenta Trapolin, 2386, 30121
  • 4 maggio – 22 novembre 2026

GARY HILL | Who’s a good boy?? | Group show | Contemporary Forces, Giudecca, Venice

"WHO’S A GOOD BOY?" at Contemporary Forces in Venice presents works from the Kelterborn Collection through a reflection on power, authority, and control. Bringing together artists including Joseph Beuys, Gary Hill, Claire Fontaine, Sung Tieu, Ulay, Laure Prouvost, Nora Turato, and Renzo Martens, the exhibition explores how systems of dominance are embedded within language, repetition, and everyday structures. Taking its title from a work by Nora Turato, the exhibition approaches authority not as spectacle, but as an unstable emotional condition shaped by tension, seduction, and surveillance. Echoing the curatorial theme "In Minor Keys", the project proposes the “minor” as a strategy for rethinking contemporary power dynamics through resonance, vulnerability, and perceptual shifts.

  • Contemporary Forces
  • Giudecca 710/C
  • 7 maggio – 27 settembre 2026

SHIRIN NESHAT | Do U Dare! | Palazzo Marin, Venice, Italy

"Do U Dare!" by Shirin Neshat, presented during the 61st International Art Exhibition of La Biennale di Venezia, is a new film trilogy curated by Ilaria Bernardi and Bartolomeo Pietromarchi, organized by Associazione Genesi and Banca Ifis, and presented by Lia Rumma Gallery and Gladstone Gallery in collaboration with Magonza. Inspired by the story of Iranian-born media personality Nasim Aghdam, the project explores themes of exile, isolation, protest, artistic obsession, and the fragile boundary between creation and self-destruction. Set across different socioeconomic landscapes of New York, the three films intertwine social realism and surrealism to reflect on displacement, identity, visibility, and the female experience between Iranian and American cultures. Through fictionalized narratives and performative imagery, "Do U Dare!" examines the emotional and political tensions of contemporary society, while questioning the human cost of marginalization and the transformative power of art.

  • Palazzo Marin
  • Fondamenta Narisi, 2541, 30124 Venezia VE.
  • 9 maggio – 6 settembre 2026

MARINA ABRAMOVIĆ | Transforming Energy | Solo show | Gallerie dell'Accademia, Venice

"Transforming Energy" by Marina Abramović, presented at the Gallerie dell’Accademia during the 61st International Art Exhibition of La Biennale di Venezia, marks the first major exhibition dedicated to a living female artist in the museum’s history. Curated by Shai Baitel, the exhibition creates a dialogue between Abramović’s performance practice and the Renaissance masterpieces of Venice, unfolding across both the permanent collection and temporary exhibition spaces. Bringing together iconic works such as "Imponderabilia", "Rhythm 0", "Balkan Baroque", and "Carrying the Skeleton" alongside new site-specific installations, the exhibition explores themes of endurance, vulnerability, transformation, and energy transmission through participatory environments and immersive experiences.

  • Gallerie dell'Accademia, Venice
  • Calle della Carità, 1050, 30123
  • 6 maggio – 19 ottobre 2026

ILYA AND EMILIA KABAKOV | Diario veneziano | Solo show | Ca’ Tron, Venice, Italy 

"Diario veneziano" by Ilya and Emilia Kabakov unfolds between the La Biennale di Venezia and the city itself, placing the people of Venice at its centre. Curated by Cesare Biasini Selvaggi and Giulia Abate, the participatory project enters into dialogue with "Note persistenti", the exhibition project of the Venetian Pavilion curated by Giovanna Zabotti, involving around 500 residents of the lagoon invited to share personal objects and testimonies reflecting their relationship with the city. Presented across Ca’ Tron and the Venetian Pavilion, "Venetian Diary" takes shape as a collective self-portrait of Venice: a constellation of memories, objects, and stories reflecting the city’s social and emotional dimension, transforming the installation into a space of shared listening and participation.

  • Ca' Tron
  • Santa Croce 1957, Venezia
  • 9 maggio – 28 giugno 2026

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